The ideal split in a music publishing deal depends on several factors, including the type of deal, the negotiating power of the parties involved, and the specific terms of the agreement.
Typically, in a music publishing deal, the publisher will receive a percentage of the revenue generated by the music in exchange for their services, which can include promoting the music, collecting royalties, and exploiting other revenue streams. The percentage that the publisher receives can vary, but it is typically in the range of 50-60%. The remaining percentage goes to the songwriter or composer.
However, it’s important to note that the split can vary greatly depending on the terms of the deal and the specific circumstances of each situation. For example, some publishers may offer a higher percentage to the songwriter or composer in exchange for more favorable terms, such as a longer term, or greater control over the exploitation of the music.
It is also worth noting that in some cases, a songwriter or composer may choose to retain full ownership of their music and work with a publishing administrator, who will handle the administrative tasks of collecting royalties and tracking exploitation, in exchange for a smaller percentage of the revenue generated by the music.
Ultimately, the ideal split in a music publishing deal will depend on the specific goals and circumstances of each songwriter or composer, and it is important to consult with a knowledgeable music industry professional, such as a music lawyer or publishing administrator, to determine the best approach for your situation.
